Giacomo Puccini

GIACOMO PUCCINI is one of the greatest masters of the art of opera.
The Manon Lescaut opera is the beginning of his successful way up (he is the author of 12 operas). It is associated with an important period in his life: Puccini fell in love with Elvira Bonturi, who was unhappily married to Narciso Gemignani. At that time the divorce was not allowed by the Catholic Church; nevertheless, Elvira decided to live with Puccini, taking both her children with her. The story of the Chealier des Grieux and Manon Lescaut, told in the novel „Histoire du Chevalier des Grieux, et de Manon Lescaut” by Abbé Prévost, had attracted the composer with the fact that it was very reminiscent of his own life and his love for Elvira. It is a love that sweeps away all barriers and prejudices. The same plot was recreated by French composer Daniel Auber in the then very popular opera Manon. However, Puccini did not give up. Manon Lescaut had tremendous success. The orchestral Intermezzo in the second act is a beautiful, masterfully created musical picture, which is also performed as a single piece.

It is known that Puccini was extremely attentive to the texts of his operas. After focusing on the plot of „Scenes from the Life of the Bohemians” by the French writer Henri Murger, he suggested to Giuseppe Giacosa and Luigi Illica to write the libretto (later they would become his major librettists) of La boheme. He knew that his friend Leoncavallo had also started working on Murger’s text, but captivated by the idea, Puccini invested all his passion and finished the opera in eight months (Leoncavallo’s premiere was a year later). The premiere of La bohème was on February 1st, 1896 in Turin under the direction of Arturo Toscanini. Several days after that, the opera spread throughout Italy and was performed in a number of Italian opera theaters, with the entire first act being performed encore in Palermo. Che gelida manina (What a frozen little hand) is Rodolfo’s tenor aria from the first act sung by him to Mimì when they first meet. In the aria he tells her of his life as a poet, and ends by asking her to tell him more about her life. Che gelida manina is one of the most performed and recorded arias by tenors.

Works


"Bimba bimba non piangere" - Duet of Cio-Cio-San and Pinkerton from the Opera "Madama Butterfly"
"Ch'ella mi creda libero", Aria of Dick Johnson from the Opera "La fanciulla del west"
"Crisantemi", SC 65, Elegy for String Quartet/Orchestra
"Gianni Schicchi" Epilogue - Lauretta mia…
"In questa reggia", Aria of Turandot from the Opera "Turandot"
"La tregenda", Act II from the Opera "Le Villi"
"Orgia, chimera - dall'occhio vitreo", aria of Edgar from the Opera "Edgar"
"Pazzo son", Aria of Chevalier Renato des Grieux from the Opera "Manon Lescaut"
"Popolo di Pekino...Dal deserto al mar", Aria of Mandarino from the Opera "Turandot"
"Questo amor, vergogna mia", Aria of Edgar from the opera "Edgar"
"Recondita armonia", Aria of Cavaradossi from the Opera "Tosca"
"Sei pallido, straniero!...", Trio of Turandot, Liu & Kalaf from the Opera "Turandot"
"Te Deum" scene from the opera "Tosca", І Аct
"Torna ai felici di", Aria of Roberto from the Opera "Le Villi"
"Tu, tù, amore? Tu?!" - Duet of Manon & Grieux from the Opera "Manon Lescaut"
"Vogliatemi bene...", Duet of Pinkerton & Cio-Cio San from the Opera "Madama Butterfly"
Act I from Opera "Manon Lescaut"
Aria from Opera "Madama Butterfly"
Aria of Anna (Se come voi piccina), Act I, from Opera "Le Villi"
Aria of Calaf ("NesunDorma!") from Opera "Turandot"
Aria of Cavaradossi (E lucevan le stelle), Act III from Opera "Tosca"
Aria of Cio-Cio-san (Che tua madre dovra), Act II from Opera "Madama Butterfly"
Aria of Cio-Cio-san (Un bel di vedremo), Act II from Opera "Madam Butterfly"
Aria of des Grieux (Donna non vidi mai) from Opera "Manon Lescaut"
Aria of des Grieux (Tra voi, belle, brune), Act I from Opera "Manon Lescaut"
Aria of Fidelia (Addio mio dolce amor), Act III from Opera "Edgar"
Aria of Lauretta ((O mio babbino caro) from Opera Gianni Schicchi
Aria of Liù (Signore, ascolta), Act I from Opera "Turandot"
Aria of Magda from Opera "La Rondine"
Aria of Manon (In quelle trine morbide), Act II from Opera "Manon Lescaut"
Aria of Manon (Sola, perduta, abbandonata), Act IV from Opera "Manon Lescaut"
Aria of Michele "Perchè, perchè non m'ami più?" from the opera "Il tabarro"
Aria of Mimi (Donde lieta usci), Act III from Opera "La bohème"
Aria of Mimi (Mi chiamano Mimi), Act I from Opera "La bohème"
Aria of Mimi and Rodolfo (O soave fanciulla) from Opera "La bohème"
Aria of Musetta (Quando me’n vo) from Opera "La bohème"
Aria of Sister Angelica (Senza mamma) from Opera "Suor Angelica"
Aria of Tosca (Vissi d’arte), Act II from Opera "Tosca"
Aria of Violetta (Addio del passato), Act III from Opera "La Traviata"
Choir (without words) from Opera "Madama Butterfly"
Duet of Tosca and Cavaradossi ("Mario,Mario"), Act I from Opera "Tosca"
Intermezzo from Opera "Manon Lescaut"
Intermezzo from the opera "Suor Angelica"
Introduction to Act III from Opera "Tosca"
Le Villi, One Act Opera
Manon Lescaut, Opera in Four Acts
Prelude from the Opera "Edgar"
Quartet, Act III from Opera "La bohème"
Rodolfo's aria Che Gelida Manina from act I of „La Bohème” (1896)
Scherzo
Suor Angelica, Opera in One Act
Symphonic Capriccio
Symphonic Prelude
The Turandot
Third Act of the Opera "La bohème"
“Non piangere Liu” - Calàf’s Aria, Act I from the Opera "Turandot"
“Tu che di gel sei cinta” - Liu’s Aria, Act III from the opera "Turandot"
„Addio Fiorito Asil“ - Pinkerton’s Aria, Act III from the opera "Madama Butterfly"
„Firenze è come un albero fiorito“ - Rinunccio’s Aria from the opera Gianni Schicchi
„Parigi è la città dei desideri”– Ruggero’s Aria, Act I from the opera "La Rondine"

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