Ildebrando Pizzetti

Ildebrando Pizzetti (1880–1968) was an Italian composer of classical music, musicologist, and music critic. Pizzetti was born in Parma in 1880. He was part of the "Generation of 1880" along with Ottorino Respighi, Gian Francesco Malipiero, and Alfredo Casella. They were among the first Italian composers in some time whose primary contributions were not in opera. The instrumental and a cappella traditions had never died in Italian music and had produced, for instance, the string quartets of Antonio Scontrino (1850–1922) and the works of Respighi's teacher Giuseppe Martucci; but with the "Generation of 1880" these traditions became stronger. Ildebrando Pizzetti was the son of Odoardo Pizzetti, a pianist and piano teacher who was his son's first teacher. At first Pizzetti seemed headed for a career as a playwright—he had written several plays, two of which had been produced—before he decided in 1895 on a career in music and entered the Conservatorium of Parma. He taught at the Florence Conservatory (director from 1917 to 1923), directed the Milan Conservatory from 1923, and was Respighi's successor at the National Academy of St Cecilia in Rome from 1936 to 1958. His students included Mario Castelnuovo-Tedesco, Olga Rudge, Manoah Leide-Tedesco, Franco Donatoni and Amaury Veray. Also a music critic, he wrote several books on the music of Italy and of Greece and co-founded a musical journal. Pizzetti was an active supporter of fascism and signed the Manifesto of the Fascist Intellectuals in 1925. A disciple of poet, playwright and revolutionary Gabriele d'Annunzio, Pizzetti wrote incidental music to his plays, and was highly influenced by d'Annunzio's dark neoclassic themes. One of Pizzetti's later operas, La figlia di Jorio, is a setting of d'Annunzio's 1904 eponymous play.