Creator · Composer
Georgi Strezov

Biography
Composer, conductor and orchestrator George Strezov (b. 1989) was always passionate about film music. He started working when he was merely 15 years old and since then he has made the music for various projects, such as the TV series Durvoto na Zhivota ("The Tree of Life"), Na Granitsata ("On The Frontier"), Belezi (Scars), the movies Shibil, Petya of my Petya, The Blessed, Corpse Collector, Uncle Claus, Last Call, Holiday Makers, etc. He also composed music for the critically acclaimed short films Lighthouse Woman, 69, Every pilgrim's way, Room Number 4, and Playing Marbles, and many more, including music for video games like Haemimmont's Surviving Mars, Victor Vran, Masthead's Guns & Robots, Ivent Games' Strength of the Sword Ultimate. He has also written music for theatre, TV, radio, commercials and concert works. George Strezov is a graduate of the Prof. Pancho Vladigerov National Academy of Music in orchestration and choral conducting with prof. Alexander Tekeliev and prof. Adriana Blagoeva (conductor of Sofia Boys' Choir). His love for contemporary collaborative art like video games and film makes him a valuable asset in this industry; his understanding of the music trends and media music aesthetics brought hundreds of projects in Sofia, Bulgaria. In the capacity of a conductor, orchestrator or recording session producer George Strezov has worked on projects such as The Witcher (2021), Infinite (2021), Life in a Day 2020 (2021), Hubie halloween (2020), Agatha Raisin (2020), Kirin Ga Kuru (2020), His Dark Materials (2019), Darksider Genesis (2019), Total War: Three Kingdoms (2019), Solo: A Star Wars Story (2018), Assasin's Creed: Odyssey (2018), and many others. In late 2012, George created "Strezov Sampling" - a boutique sampling company that quickly became popular around the world, providing special and unique tools for contemporary media composers. Those virtual instruments became appreciated by both A-list composers and newcomers to the music scene, receiving many positive reviews including recognition from the "Sound on Sound" magazine.
